Author Archives: Natalie Bennett

Recovering women’s political tradition

“Women’s political thought”: is there such a thing? Jacqueline Broad and Karen Green have no doubt that there is, at least in the European tradition. Scanning from 1400 to 1700, the foundational period for our modern political landscape, they look at a diverse range of women, from the obvious, Christine de Pizan, Margaret Cavendish, Marie le Jars de Gournay, to women you’d not normally think of as political theorists, from Queen Elizabeth I of England to Mary Astell.

Their thesis, in A History of Women’s Political Thought in Europe, 1400-1700, is that these women first of all share a consciousness of gender: “these women defend their capacity for political virtue, they argue for women’s prudence, they defend female monarchs, and they call for female liberty of conscience against the tyranny of men”. Yet, the authors have to admit their story isn’t all good news: “many are intolerant and conservative, critical of those who bring about social disorder for the sake of religious freedom and they are committed to individual virtue and passive obedience to authority”.

They divided the period, and their writers, into two broad groups: those who celebrate heroic and even actively fighting women, such as Joan of Arc, exceptional examples of their sex which nevertheless demonstrate what women are capable of. The authors broadly locate this approach in the earlier period, and identify a rival, and largely supplanting, more “feminine” model of female excellence, including in political life, dating from around the middle of the 17th century.

The authors see this as driven particularly by Madeleine de Scudery, who “was enormously influential in developing a form of feminism that became so acceptable as to cease to be recognised as feminist. Indeed, it is arguable that Rousseau’s romantic conception of the place of love in society, and his representation of feminine difference, were influenced by Scudery, whose novels he read with his father at a very young age”.

As the authors point out, there are curious parallels here with the 20th century “turn from feminisms of equality to feminisms of difference”. They agree with Joan DeJean that women in this different way maintained political engagement, but differ from her in rejecting any claim that there was anything radical or democratic about their politics. (DeJean rejects Habermas’s claim that “the public sphere” began in the English coffee house, locating its origins instead in late 17th-century France during the “battle between ancients and moderns”.)

This reflects the explanation that Broad and Green give, which is representative of the book’s approach: while this is clearly a solidly academic monograph, it is also perfectly accessible to a general reader, and it gives a delightful introduction to many interesting women of the period. It’s a pity then that it’s only available in academic hardbook, at prohibitive library prices.

Every woman (and man) should have been taught about Christine de Pizan and her Book of the City of Ladies — clearly an outstanding thinker of the ages — at school. Those with a closer interest in European history should see how her influence continued after her death, particularly on women rulers. As Board and Green chart, her books were prominent in the libraries of royal and powerful aristocratic women, including Anne de Beaujeu, Anne of Brittany and Louise of Savoy, while they argue that Elizabeth I was almost certainly exposed to the books, and certainly to a set of tapestries depicting the City of Ladies, reported in an inventory of the possessions of the 14-year-old Elizabeth.

The authors are not, however, concerned only with royalty and aristocracy. There are also chapters on the women of the English civil war era (including Katherine Chidley and Elizabeth Poole), Quaker women (Priscilla Cotton, Mary Cole and Margaret Fell), and the women of the Glorious Revolution (Elinor James – nee Banckes and Anne Docwra – nee Waldegrave).

Bringing all of this together, the authors conclude that the traditional account of the history of men’s political ideas as a progress towards liberalism, with feminism depicted as an offshoot of this, is profoundly defective. “Long before Descartes, Christine grounded her defence of women on her own independent reason and experience, and her influence on women is significant up until the 16th century. Seventeenth-century women’s political thought is more often opposed to Machiavelli and Hobbes, rather than built on them. Marie le Jars de Gournay defends women’s equality with men, but is influenced by Montaigne, and not by Descartes. Quaker women are egalitarian but ground this on biblical injunctions, not modern political texts. Madeleine de Scudery explores models of egalitarian love and friendship between the sexes, independently of ideas about the social contract, and while 17th-century English women do engage with Locke, this engagement is as often critical as it is complimentary.”

Furthermore, the authors say, there’s a logical, continuous tradition here: “Mary Astell had read at least some of the works of Madeleine de Scudery; Scudery herself had earlier attempted to initiate a correspondence with Anna Maria van Schurman, as well as referring to Maurgerite de Navarre, and Madeleine and Catherine des Roches. Anna Maria van Schurman corresponded with Marie le Jars de Gournay and Elisabeth of Bohemia, and she was acquainted with Christina of Sweden. Schurman had also read Lucrezia Marinella, who acknowledged Moderata Fonte and earlier learned women such as Cassandra Fedele and Isotta Nogarola. Both Fonte and Marinella influenced Arcangela Tarabotti, whose ideas are sufficiently similar to those of Gabrielle Suchon to make one suspect some influence.”

As the authors conclude, their work here is preliminary. A vast amount more research needs to be done into this almost buried and forgotten tradition. And then, maybe one day, it will take its proper place as a respected, central part of our history.

And while I’m around these fields I should also point to the excellent early modern history carnival..

Why are people voting Green?

You might have noticed that I haven’t been here much; in large part that is because I’ve been out of the doorsteps and pavements of NW1 and WC1 in London, talking to voters and potential voters.

One of the stunning things about democracy is the wide range of views people bring to the political process, and the ways in which they make political decisions.

Here’s a small range (obviously I’m quoting from memory here; I wasn’t recording the conversations!):

Outside the farmers’ market in the Brunswick centre in Bloomsbury yesterday:

* “I saw Joanna Lumley’s backing the Green Party, so I’m now voting Green.”

* “I thought Caroline Lucas was excellent on Question Time; she was so poised. I’ve never thought about voting Green before, but I will now.

* “I’m going to vote Green or UKIP.” (This was a fascinating discussion: the young woman was hugely Eurosceptic and convinced each country should just be allowed to do what it wanted, even when I brought up Poland and coal-fired power stations; yet her views on every other subject we ranged over entirely matched the Green Party’s, and she was very keen to see women elected. But I still don’t know how she’ll vote.)

* “I used to be a member of the SWP (rueful shrug). I think you’re probably the best of the people likely to be elected.” (Man in his later 30s.)

On the doorstep in council housing in Somers Town, one of the most socially and economically deprived wards in London (and traditionally a Labour stronghold).

* “I’ve always voted Labour, but I’ve watched your election broadcasts and I agree with all of your policies, so I’m voting for you, and I’m happy to put up your election poster.” (A middle-aged man with a local accent: The poster was up by the time I walked back past it. This was the closest I’ve come across to the “perfect” model of how democracy is supposed to work.)

* “I haven’t seen anyone come around for many years. I’ll probably vote for you because you’ve done that.” (Older woman who has probably lived in the flat for many years.)

* “I vote for you because of your animal rights policy.” (Twenty-something woman.) I also had someone outside the Brunswick who probably wouldn’t vote for us solely on that basis – so you might call that one a draw.

There have been quite a few, but not perhaps so many as I expected, “I won’t vote for anyone; you’re all crooks”, but there’s perhaps a surprising interest in continuing that conversation among around 50% of people – and some are apparently won around by the conversation.

Others, however, are clearly not going to be swayed, including the woman who I heard clearly through an open window continuing an interrupted phone conversation after she’d almost, but not quite, slammed the door in my face. “It was a politician!” (said in tones of shocked horror). Well, that’s not quite the way I think of myself….but little point in arguing.

So, is this an electorate that is going to abstain in even huger numbers than usual, or is it going to march out to express its anger? I don’t know; there are a huge number of “undecideds” out there, and one of the things they haven’t decided is whether or not they are going to vote.

Blame it on the election

.. combined with a busy time at work.

Sorry for going AWOL without notice here – I’ve been consumed by the European election campaign; I could promise to be back here before June 4, but I can’t really guarantee it. Got half a dozen book reviews stacked up for when I get a few spare half hours….

Looking over the evolution of European cave art

David S Whitley is clearly a man who has moved at the centre of prehistoric archaeology for decades. In Cave Paintings and the Human Spirit he takes us into that world: roughly half of the book is an account of the archaeological debates, quarrels and missteps that have marked the exploration and attempts at explanation of the cave art of prehistoric Europe and associated genres. On that he’s entertaining, anecdotal, and so far as I can tell a faithful guide. (I’m always inclined to trust someone who immediately declares their interests and prejudices, as Whitley regularly does.)

The other half of the book is more of a presentation of a personal thesis: that religion and “modernity” was born with the brain chemistry that also brought the species what we now call bipolar disorder (it used to be called manic depression).

It is an interesting idea, although I’m not sure how it might ever be proven.
This insider view of the science of archeology makes one thing clear: anyone who believes that science is marked by the singleminded pursuit of truth, unmarred by politics or personal consideration, knows nothing about the realities. Whitley covers the incredibly petty controversy around the discovery of Chauvet Cave – which as

I’ve recorded elsewhere has been magnificently explained by Jean Clottes (with whom Whitley visited the caves).

And he goes at length into the controversy of the open-air Coa petroglyphs in Portugal, threatened by a planned dam and claimed to be Paleololithic by a new, controversial and what was at least to be partially discredited dating technique. Whitley explains the science in detail, which might not be everyone’s cup of tea, but I found it fascinating – and it is essential if the reader is to grasp the cause of the controversy.

He then moves into a subject clearly close to his awn heart: shamanism, and its links to rock art. He’s earlier explained the evidence for the Paleolithic art being linked to shamanism – in short that human trance states, whether induced by Kalahari San people (“Bushmen”) by clapping and dancing, by chemical means, or perhaps the experience of the deep caves, goes through three phases:
1. Imagery is dominated by geometric light patterns generated within our optical and neural systems
2. Through more normal mental processes of visual pattern recognition, the pattern is interpreted or construed as a meaningful iconic or figurative image.
3. Full-blown iconic hallucations occur in which a sense of participation develops and an individual may imagine becoming the thing he or she hallucinates.
(This is known as the “neurophysical model”. )

Forms of image that appear to clearly correspond to each of these three stages are found in the cave art of prehistoric Europe, Whitley explains.

He then moves on to the issue of Siberian shamanism, a source of long-term fascination for the Western world. He effectively debunks, to my mind anyway, a suggestion that it is an intact relict of Paleolithic practices, saying that records of neighbouring literate people such as the Han Chinese only go back 2,000 years, while archaeological evidence pushes it back about 4,000. He argues that there is some evidence that New World shamanism had cultural influences on the Old World, but that there’s no evidence of a continuous tradition back to the Paleolithic.

Whitley then goes back to looking for the origins of human belief in the supernatural, and the development of religion. He finds the core of the latter in minimally counterintuitive concepts – which are memorable and particularly suspectible to recall, likely to be remembered and repeated. But they can’t be too far from the everyday: a talking dog is fine, a flying, talking tree is too far out. He finds the former in human’s agency detection device, a hypersensitive aspect of human existence that sees agents that aren’t really there – the dark environment of the cave being particularly effective for that.

Whitley is convinced that although they probably didn’t have organized religion, Neanderthals certainly had supernatural beliefs – it must have been built into their brains. So he arrives at an account of the of religion’s arrival: Religion – a shared social practice involving spirit belief and religiosity, but not always transcendence – developed first (insofar as we can tell) in western Europe, at least 35,000 years ago. This occurred when certain individuals with (I believe) specific emotional characteristics ‘captured’ the spirit world. By this act, they “created minimally impossible worlds that solve existential problems” – an evolutionary psychologists’ definition of religion.”

As evidence for the “emotional characteristics” claim, he combs written evidence of shamanistic societies and finds many examples of accounts that appear to match modern accounts of bipolar disorder. He also identifies a strong correlation between artistic creativity and mood disorders – with artists having rates of about 10 times higher than the general population.

And so he says, they invented “modern” human life – which he identifies with the start of religion. On that I part company with Whitley – why this, rather than art itself, or technology, or methods of social organization?
Still, it is an entertaining journey that Whitley provides, across fascinating terrain of human existence. He might not be – he says himself – a “spirit guide”, but he is an entertaining one.

On this day…

In 1930, my Burgundy almanac tells me, the civil court in Dijon ruled that for the purposes of naming wine, vinyards in the departments of the Yvonne, the Cote d’Or, Saone and Loire and the Rhone (the arrondisements of Villefranche-sur-Saone and Beauujolais, could use the name. It has remained thus since.

Ancient verities – so often they aren’t…

Snap!

Some scholars might doubt the needs to devote a book to female political thinkers alone. They might argue that it is easier to assess the significance and coherence of women’s political ideas when they are placed alongside those of the other sex; and they might point out that apart from their gender, these women have very little in common … But these observations might be made about the majority of histories of political thought – histories that are seriously incomplete because they ignore women thinkers. (p2)

A History of Women’s Political Thought in Europe, 1400-1700, Jacqueline Broad and Karen Green, Cambridge Uni Press, 2009