Category Archives: Arts

Books History

The Victorian – a more humane age…

A book on child murderers – there are two obvious genres in which this might fit: the quick exploitative “true crime” paperback, whipped after some horrible crime has excited public attention, or the deep and impenetrable psychological study, expounding the author’s post-Freudian, post-Jungian, post-any-sense-at-all theory.

Happily, Loretta Loach’s The Devil’s Children is neither of these. Instead, it is a balanced, sensible account survey of the history of the treatment of children who’ve killed in British history. It’s not a comprehensive study, but it seems to be a solidly enough researched one, and the good news is that while some of the early accounts of the judicial system’s treatment of children is harrowing, it is mostly a tale of increasing, and surprisingly early, humane treatment of children who were understood to be something other than pure evil or simply mini-adult killers.

At least that’s until you get to the two most famous modern cases, that of Mary Bell, 11, who killed two young boys in 1968, and Robert Thompson and Jon Venables, who killed James Bulger in 1993, a case that provoked a degree of hysteria and a wave of vindictive public and judicial spite that the 19th century could hardly have matched.

In the Thompson and Venables case, Loach reports the officer leading the investigation as saying that the killing of James Bulger was “unique” because of the age of the killers. Yet there had been, in the 25 years since Mary Bell, at least 14 cases of children murdering children.

Loach doesn’t exactly say so, but it is pretty clear that her aim in writing the book is education of the public, to understand that children who kill are neither extraordinarily rare, nor extraordinarily evil. Indeed she demonstrates how children usually do not have a grasp of the true nature of death, particularly its finality, until well into adolescence, so juvenile cannot, she argues, form an intent to murder in the same sense as an adult. (Although it is surprising that in a book published this year she didn’t mention the recent work on how children brought up in abusive, high-stress environments fail to develop impulse control.)

Her first case is horrific to modern eyes from the behaviour of the adults: that of four-year-old Katherine Passeavant who was kept in St Albans jail in 1249 for more than a month, after pushing another child into boiling water by opening a door too quickly – which could surely only have been an accident. Her father, however, wrote to the king, and perhaps surprisingly the local sheriff was ordered to release her.

In the same century an 11-year-old boy, Thomas of Hordleigh in Maidstone Kent, was found to have killed a five-year-old with a hatchet as she tried to stop him stealing her family’s bread: he was sentenced to death, in large part because he tried to hide the body, seen as a sign of “heinous malice”. That sentence seems to have been carried out in 1299, but generally even in this period it seems a King’s pardon was often granted, although it might take a year or so of the child being in jail before it arrived.
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Books History Women's history

Living through not-the-end of the Roman Empire

The “end of the Roman empire”: it is a popular topic, with some big questions around if: why? How? when? They’ve been some excellent, illuminated books written on it – I reviewed one of them recently – but what tends to disappear in these accounts is the real lived experience of the people of the period. They can’t have been, in their own minds, living through the end of empire – they were living their lives, dealing with the local upsets, expecting the empire which in human timeframes had gone on “forever”, to continue. It’s to attempt to get at something of that lived reality that Giusto Traina has written 428AD: An Ordinary Year At The End of the Roman Empire.

He had to find some way to choose the year, of course, and he selected this one because it marked the end of the Kingdom of Armenia, which just happens to be the author’s special subject. That’s a good start, because it gives him a entirely different perspective to authors traditionally fixated on Constantinope, Rome or Ravenna (the new western capital). Indeed, the perspective here is as broad as could be, for he follows an ancient rhetoric tradition, taking the reader on a journey around the empire, a rough circuit of the Med and beyond, extending even into the Sassanian empire, which that year seized the previously independent Armenia, and along the Silk Road.

He also tries not to look forward, to view the trajectory of everything as heading towards fragmentation and collapse, which of course it wasn’t: something seemed at the time to be coming back together quite nicely after the disaster of the sack of Rome in 410. And although the sources seldom allow us to get down to fine detail, he notes that for most people, these events were irrelevant to their time:

“…the life of a typical community as governed by liturgical and civil calendars and, of course, the ubiquitous seasonal rhythms of the rural economy. For many intellectuals of the time, the calculation of time seemed an inappropriate concern, whose elimination was prompted by the anxiety of the times…the man who was buried in Apamea of Syria in a Christian sepulchre dated to the early fifth century must have requested the ancient pagan motto that appears on its threshold… “Are you rushing? – I am. And where are you rushing? – To this place.”

One man who had no choice but to rush in 428 was Flavius Dionysius, with whom we start our journey. He is starting out from Antioch, HQ of the Roman army in the east, leading an important and complex diplomatic mission to meet a Persian delegation. But he’s suffering facial paralysis. (Traina suggests this might have been stress-related, since he had a difficult task, for a military man – to accept a fait accompli – the loss of independence of Armenia to Persian rule – it had been an important buffer between the two eastern giants.) As Traina explains we only know about his mission because of this, for it is recorded in the life of Simeon Stylites – the famous pole-sitting monk (the stump of his final pole still survives outside Aleppo). The modern author has had to put together the details, for no other western source records the mission, and none pay attention to the fall of Armenia, which Traina suggests reflects embarrassment that a Christian land had been abandoned to its fate.

Flavius is handy for Traina, for no sooner was he back from this tough job than he had another delegate task, to escort the Syrian cleric Nestorius from his monastery to Constantinople, a journey that also allows the author to explore the tensions and developments of the church of the time. Simeon was an outstanding, in more ways than one (his column, from which he never descended, was 9 metres high when Flavius visited – it eventually went to 16), but he represented an extreme of religious ascetism that, Traina says, helped to cement the identity of Syria, which had been an uncertain border province, while shocking the more established regions.

That brings our journey to the heart of the eastern empire, Constantinople, and Traina visits the royal palace, where interestingly, two women were at the heart of politics. One was Pulcheria, the sister of Emperor Theodosius II, and his spiritual guide. The other was his empress, Eudocia, who was from a family of pagan intellectuals and only converted upon marriage, and had a reputation as a protector of heretics. (They had a parallel in the Western empire, the 40-year-old Aelia Galla Placidia, mother of the child emperor, a woman of uncommon political experience, who had briefly been empress in the West, was exiled to Constantinople, taken hostage after the sack of Rome and taken by the Visigoths back to Gaul, where she ended up marrying King Ataulf, who was shortly after murdered, when she returned to Ravenna.)
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Books Women's history

Recovering women’s political tradition

“Women’s political thought”: is there such a thing? Jacqueline Broad and Karen Green have no doubt that there is, at least in the European tradition. Scanning from 1400 to 1700, the foundational period for our modern political landscape, they look at a diverse range of women, from the obvious, Christine de Pizan, Margaret Cavendish, Marie le Jars de Gournay, to women you’d not normally think of as political theorists, from Queen Elizabeth I of England to Mary Astell.

Their thesis, in A History of Women’s Political Thought in Europe, 1400-1700, is that these women first of all share a consciousness of gender: “these women defend their capacity for political virtue, they argue for women’s prudence, they defend female monarchs, and they call for female liberty of conscience against the tyranny of men”. Yet, the authors have to admit their story isn’t all good news: “many are intolerant and conservative, critical of those who bring about social disorder for the sake of religious freedom and they are committed to individual virtue and passive obedience to authority”.

They divided the period, and their writers, into two broad groups: those who celebrate heroic and even actively fighting women, such as Joan of Arc, exceptional examples of their sex which nevertheless demonstrate what women are capable of. The authors broadly locate this approach in the earlier period, and identify a rival, and largely supplanting, more “feminine” model of female excellence, including in political life, dating from around the middle of the 17th century.

The authors see this as driven particularly by Madeleine de Scudery, who “was enormously influential in developing a form of feminism that became so acceptable as to cease to be recognised as feminist. Indeed, it is arguable that Rousseau’s romantic conception of the place of love in society, and his representation of feminine difference, were influenced by Scudery, whose novels he read with his father at a very young age”.

As the authors point out, there are curious parallels here with the 20th century “turn from feminisms of equality to feminisms of difference”. They agree with Joan DeJean that women in this different way maintained political engagement, but differ from her in rejecting any claim that there was anything radical or democratic about their politics. (DeJean rejects Habermas’s claim that “the public sphere” began in the English coffee house, locating its origins instead in late 17th-century France during the “battle between ancients and moderns”.)

This reflects the explanation that Broad and Green give, which is representative of the book’s approach: while this is clearly a solidly academic monograph, it is also perfectly accessible to a general reader, and it gives a delightful introduction to many interesting women of the period. It’s a pity then that it’s only available in academic hardbook, at prohibitive library prices.

Every woman (and man) should have been taught about Christine de Pizan and her Book of the City of Ladies — clearly an outstanding thinker of the ages — at school. Those with a closer interest in European history should see how her influence continued after her death, particularly on women rulers. As Board and Green chart, her books were prominent in the libraries of royal and powerful aristocratic women, including Anne de Beaujeu, Anne of Brittany and Louise of Savoy, while they argue that Elizabeth I was almost certainly exposed to the books, and certainly to a set of tapestries depicting the City of Ladies, reported in an inventory of the possessions of the 14-year-old Elizabeth.

The authors are not, however, concerned only with royalty and aristocracy. There are also chapters on the women of the English civil war era (including Katherine Chidley and Elizabeth Poole), Quaker women (Priscilla Cotton, Mary Cole and Margaret Fell), and the women of the Glorious Revolution (Elinor James – nee Banckes and Anne Docwra – nee Waldegrave).

Bringing all of this together, the authors conclude that the traditional account of the history of men’s political ideas as a progress towards liberalism, with feminism depicted as an offshoot of this, is profoundly defective. “Long before Descartes, Christine grounded her defence of women on her own independent reason and experience, and her influence on women is significant up until the 16th century. Seventeenth-century women’s political thought is more often opposed to Machiavelli and Hobbes, rather than built on them. Marie le Jars de Gournay defends women’s equality with men, but is influenced by Montaigne, and not by Descartes. Quaker women are egalitarian but ground this on biblical injunctions, not modern political texts. Madeleine de Scudery explores models of egalitarian love and friendship between the sexes, independently of ideas about the social contract, and while 17th-century English women do engage with Locke, this engagement is as often critical as it is complimentary.”

Furthermore, the authors say, there’s a logical, continuous tradition here: “Mary Astell had read at least some of the works of Madeleine de Scudery; Scudery herself had earlier attempted to initiate a correspondence with Anna Maria van Schurman, as well as referring to Maurgerite de Navarre, and Madeleine and Catherine des Roches. Anna Maria van Schurman corresponded with Marie le Jars de Gournay and Elisabeth of Bohemia, and she was acquainted with Christina of Sweden. Schurman had also read Lucrezia Marinella, who acknowledged Moderata Fonte and earlier learned women such as Cassandra Fedele and Isotta Nogarola. Both Fonte and Marinella influenced Arcangela Tarabotti, whose ideas are sufficiently similar to those of Gabrielle Suchon to make one suspect some influence.”

As the authors conclude, their work here is preliminary. A vast amount more research needs to be done into this almost buried and forgotten tradition. And then, maybe one day, it will take its proper place as a respected, central part of our history.

And while I’m around these fields I should also point to the excellent early modern history carnival..

Books History Science

Looking over the evolution of European cave art

David S Whitley is clearly a man who has moved at the centre of prehistoric archaeology for decades. In Cave Paintings and the Human Spirit he takes us into that world: roughly half of the book is an account of the archaeological debates, quarrels and missteps that have marked the exploration and attempts at explanation of the cave art of prehistoric Europe and associated genres. On that he’s entertaining, anecdotal, and so far as I can tell a faithful guide. (I’m always inclined to trust someone who immediately declares their interests and prejudices, as Whitley regularly does.)

The other half of the book is more of a presentation of a personal thesis: that religion and “modernity” was born with the brain chemistry that also brought the species what we now call bipolar disorder (it used to be called manic depression).

It is an interesting idea, although I’m not sure how it might ever be proven.
This insider view of the science of archeology makes one thing clear: anyone who believes that science is marked by the singleminded pursuit of truth, unmarred by politics or personal consideration, knows nothing about the realities. Whitley covers the incredibly petty controversy around the discovery of Chauvet Cave – which as

I’ve recorded elsewhere has been magnificently explained by Jean Clottes (with whom Whitley visited the caves).

And he goes at length into the controversy of the open-air Coa petroglyphs in Portugal, threatened by a planned dam and claimed to be Paleololithic by a new, controversial and what was at least to be partially discredited dating technique. Whitley explains the science in detail, which might not be everyone’s cup of tea, but I found it fascinating – and it is essential if the reader is to grasp the cause of the controversy.

He then moves into a subject clearly close to his awn heart: shamanism, and its links to rock art. He’s earlier explained the evidence for the Paleolithic art being linked to shamanism – in short that human trance states, whether induced by Kalahari San people (“Bushmen”) by clapping and dancing, by chemical means, or perhaps the experience of the deep caves, goes through three phases:
1. Imagery is dominated by geometric light patterns generated within our optical and neural systems
2. Through more normal mental processes of visual pattern recognition, the pattern is interpreted or construed as a meaningful iconic or figurative image.
3. Full-blown iconic hallucations occur in which a sense of participation develops and an individual may imagine becoming the thing he or she hallucinates.
(This is known as the “neurophysical model”. )

Forms of image that appear to clearly correspond to each of these three stages are found in the cave art of prehistoric Europe, Whitley explains.

He then moves on to the issue of Siberian shamanism, a source of long-term fascination for the Western world. He effectively debunks, to my mind anyway, a suggestion that it is an intact relict of Paleolithic practices, saying that records of neighbouring literate people such as the Han Chinese only go back 2,000 years, while archaeological evidence pushes it back about 4,000. He argues that there is some evidence that New World shamanism had cultural influences on the Old World, but that there’s no evidence of a continuous tradition back to the Paleolithic.

Whitley then goes back to looking for the origins of human belief in the supernatural, and the development of religion. He finds the core of the latter in minimally counterintuitive concepts – which are memorable and particularly suspectible to recall, likely to be remembered and repeated. But they can’t be too far from the everyday: a talking dog is fine, a flying, talking tree is too far out. He finds the former in human’s agency detection device, a hypersensitive aspect of human existence that sees agents that aren’t really there – the dark environment of the cave being particularly effective for that.

Whitley is convinced that although they probably didn’t have organized religion, Neanderthals certainly had supernatural beliefs – it must have been built into their brains. So he arrives at an account of the of religion’s arrival: Religion – a shared social practice involving spirit belief and religiosity, but not always transcendence – developed first (insofar as we can tell) in western Europe, at least 35,000 years ago. This occurred when certain individuals with (I believe) specific emotional characteristics ‘captured’ the spirit world. By this act, they “created minimally impossible worlds that solve existential problems” – an evolutionary psychologists’ definition of religion.”

As evidence for the “emotional characteristics” claim, he combs written evidence of shamanistic societies and finds many examples of accounts that appear to match modern accounts of bipolar disorder. He also identifies a strong correlation between artistic creativity and mood disorders – with artists having rates of about 10 times higher than the general population.

And so he says, they invented “modern” human life – which he identifies with the start of religion. On that I part company with Whitley – why this, rather than art itself, or technology, or methods of social organization?
Still, it is an entertaining journey that Whitley provides, across fascinating terrain of human existence. He might not be – he says himself – a “spirit guide”, but he is an entertaining one.

Books Women's history

How to really annoy David Starkey

If you wanted to identify a book that David Starkey, the historian who claims that history has been falsely “feminised”, then Melissa Franklin Harkrider’s Women, Reform and Community in Early Modern England: Katherine Willoughby, duchess of Suffolk, and Lincolnshire’s Godly Aristocracy, 1519-1580 could well be a perfect example.

Women, in Starkey’s world, had no significance in the 16th century, and writing a biography of a woman, even one who was high-ranking, with access to royalty, would be a pointless exercise. Read this slim monograph, however, and you’ll realise just how silly this stance is.

Take even the start of her life: when her father, Lord Willoughby, died in 1526, leaving her as his sole heir, her mother (note that point Starkey) successfully defended the lands and goods against a bid , this despite her mother, Maria, not even being English, but a noblewoman who had arrived as a lady-in-waiting to Queen Catherine of Aragon.

Certainly, when at age 14, she became the fourth wife of Charles Brandon, duke of Suffolk, she wouldn’t have had much chance for independent action or influence, but when Brandon died in 1545, she was left a wealthy and powerful widow, a position that scarcely weakened when in 1552 she married her gentleman usher, Richard Bertie.

But she wasn’t just living a comfortable life of privilege; like pretty well everyone at this time she was caught up in the virulent religious controversies that saw England swinging backward and forward between Catholicism and “godly Protestantism”.

Harkrider shows how she worked to promote the gospel among her relatives, servants and other dependents, noting: “She has been variously been described as an ‘evangelical firebrand’ and ‘champion of the godly’ at Henry VII’s court, the ‘doyenne of the evangelicals’ during Edward IV’s rule, and the head of a ‘pious menage’ in Elizabeth I’s reign.”

The author is particularly interested in how Katharine’s experience of religion differed from that of other Protestants, and the unusual survival of documents relating to her flesh out the story of her “zeal and her beliefs on communion, liturgy, and ceremonialism in detail” and suggest “the diversity of Protestantism” as it emerged in the later 16th century”.

This is only a slim monograph, which is perhaps a good job, since Harkrider’s prose could be at best described as pedestrian, and the structure rather repetitive, but the interest of the tale makes the reading worth the effort. And the tale of Katherine, and women like her, need to be recovered for woman today, to understand that their foremothers might have faced even greater restrictions than women today, but they still found ways to make an impact on their world. And to counteract misogynists such as Starkey….

Books Women's history

An important part of herstory…

Matilda of Canossa has, at the hands of history, suffered the fate of many women – been dismissed in a footnote as a weak and wilful character, buffeted by fate and frequently reacting irrationally – and what’s more, the mistress of a pope. (That despite the fact that her bones were the first to be laid in St Peter’s in Rome that belonged to neither a pope nor and saint.) And that’s despite the fact that the last bit of the traditional insulting portrait is almost certainly true – when a charismatic, powerful and politically adept man of 50, and a strong-minded woman who’s determined never to be forced back to live with the husband she hates spend years in close proximity, and six months alone (well except for the servants of course) in an isolated mountain fortress, it seems pretty fair to assume what happened. (And the warmth of the surviving letters between them certainly do nothing to dispel that conclusion.)

But Michele K Spike argues, powerfully, in Tuscan Countess, much else that has been written about Matilda is so much tosh. After all here was a woman destined, it seemed, by her time, the 11th century (running a little way into the 12th), to live her life as a pawn.

In the northern Italy of her time, part of the German empire, under Salic law, which allows inheritance through the female line, but not by females. So although Matilda is the daughter of Bonifacio, the Lombard count of Modena and Reggio and duke of Tuscany, hen she was left fatherless by a “hunting accident” – such “accidents” were astonishingly common at the time – popes being almost equally as prone as noble leaders to sudden, unexpected demises – she was left stranded. She was formally betrothed to the son of a rebellious noble (to whom her mother was hurriedly married, despite them being first cousins), a move perhaps related to suspicions that the German King had a hand in the “accident”. Nonetheless King Henry III swept down on Italy, took all of her father’s lands and wealth for himself, and took Matilda and her mother Beatrice to live at his court , under his charity, as his prisoner.

This was a time that, although the idea of law was starting to take hold, military might was really the only argument that counted, and women, everyone would tell you, couldn‘t lead armies. Society was again developing and growing after the centuries of turmoil after the Roman collapse: Bonifacio had become so wealthy by being one of the first Lombards to come down from his mountain fortress of Canossa and take interest in the scruffy Roman remnants of Mantua. He provided security for its traders, and taxed them for the privilege, and both sides flourished under the deal.

But with Bonifacio dead his daughter seemed helpless. Still this was some prisoner: a direct descendant through her mother of Charlemagne, Matilda read and wrote Latin, she spoke the precursors of German, Italian and French. Later she accumulated what was for her time an immense library, mostly sermons, essays on the Christian life, and on the letters of St Paul, many now preserved in Mantua and the monastery at Nonantola. Her illuminated gospel is in the Morgan Library in New York.

Spike is heavily dependent on the account of Matilda’s life provided by Donizone, the monk who the modern author strongly represents as in effect Matilda’s ghost autobiographer. There are omissions and apparently curious errors of fact in the text, but Spike argues convincingly that these were deliberate attempts to obfuscate and confuse – all with the aim of establishing Matilda’s right to her father’s lands, and thus right to decide their fate after her death.

That must have seen very distant when at 16 she was pushed reluctantly into marriage with “Godfrey the Hunchback”. They were together about two years, then, Spike suggests, although the evidence is thin, after she gave birth to a child that soon died. In the background of all of this – Spike follows the elevation, and usually the quick deaths of pope after pope in the struggle – is a church battle royal, between the Lombard bishops who favoured married clergy and the purchase of bishoprics, and the reforming Cluniac faction, which wanted to abolish both.

So Matilda, possibly mourning, and certainly determined not to return to her husband, lands in Rome in 1073, just as the consummate politician Hildebrand, whose family had already made a couple of popes, became one himself, despite being neither a priest nor a monk. But now he was Gregory VII, aligned firmly with the reform faction, and Matilda was not just a beautiful face, but a political opportunity, as he was to her. If she could claim her father’s lands, they could help the papacy. With the pope’s support, she had a much better chance than on her own.

And that’s just what she and her mother jointly did – while also acting as a go-between for Gregory and King Henry IV. And she was advising the pope. And he admitted it! That sent to German bishops into a spin.

The new pope was in trouble, but Matilda was setting her own course, arranging the vicious murder of her husband, to get him out of the road. That’s an adjective I wouldn’t usually use in that context – but since the method was a sword thrust through the anus while he was on a privy, it seems appropriate. Within two months, her father’s vassals, seemingly appreciating her ruthlessness, were accepting her as their governor. On June 15, 1076, “Dom Mathildae Comitissae” held court for the first time on her own..

There’s much more tooing and froing, such is typical of the turbulent politics of the time, including the famous story of how a penitent King Henri IV had to wait in the snow outside Matilda’s fortress at Canossa, with she and the pope inside, to see if his excommunication would be lifted. Gregory was deposed, despite Matilda’s best efforts. It looked like she’d be left with a few mountain-top strongholds. But she wanted more.

So for the first time Matilda successfully led her forces into battle, in guerrilla tactics that were to become her trademark: on July 2, 1084, she attacked a relaxed Lombard army at dawn, and utterly routed it (after, admittedly the full force, that she could never have taken on, had gone.

But Gregory was captive, deposed, and a week after he died, on June 1, 10085, , Henry IV issued an act depriving Matilda of lands she held and giving them to the man her husband had designated his heir. The Normans, who for reasons of their own were still supporting the Gregorian reforrms, were happy to make an alliance – indeed they sent Robert, duke of Normandy, the oldest son the Conqueror, to seek her hand, but there were important points on which their interests differed.

But she was pushing on with Gregory’s reforms, supporting bishops and priests who backed them, and funding a pamphlet war over Gregory’s memory. But it was again a military victory that was to really ensure her fame, continued fortune, and have other far-reaching effects on northern Italy. It was at Canossa, in October, 1092. King Henry Iv, raging at her resistance, brought his great force before it. But he didn’t know the mountains, and nor did his men, and when a cloud descended suddenly on them so too did Matilda and her forces; panic and confusion did the rest. And this was the effective end of Henri’s kingship – Matilda had effectively dethroned the most powerful monarch in Europe.

Spike has done fine work in recovering Matilda as a historical actor in her own right – but that’s not to say that this isn’t a text, and in interpretation, without some gaping flaws. First, and most seriously, Spike assumes that Matilda did all of this for lurve, pure lurve… which for a concept that didn’t take such a form until the Romantics, and wasn’t even developed at all by the troubadours until after Matilda’s death. That is one very large ahistorical stretch. If, however, one was to assume that Matilda’s motivation was to win power and influence, and not least control over her own life and fate, a motivation that we know has resounded through the ages among both men and women. And it’s also not much of a stretch to think that in this highly religious age, Matilda genuinely believed in the reforms that she championed.

Then there’s the church – Spike is clearly a fervent adherent of the Catholic Church. And while some of the glowing references to the modern-day church were enough to make me nauseous, those could be ignored. Where it does really matter is in going soft on the church of Matilda’s time – Spike skips quickly and carefully over the corruption, the murders, the violence – not whitewashing exactly, but not presenting the reader with a full picture.

And finally there’s the writing. Sadly, this is a story that never quite comes alive on the page: the reader can let their imagination soar with Matilda’s story, but a clunking adjective, or the painfully described “treading in Matilda’s footsteps” around Italy and German, will soon get in the way.

But still, my advice is simple: ignore all of that, for this is a story – a herstory – that every woman should know. (And man too, for that matter, particularly perhaps Catholic priests who think of the church as a man’s institution.) And this is, for the moment, is how you’re going to get into Matilda’s story. (Although there is apparently a military history by David Hay I must track down.)