Category Archives: Arts

Theatre

A great Cleopatra; pity about the Antony

Over on My London Your London I’ve just put up my review of Antony & Cleopatra at the Globe, from press night last night. Frances Barber is a very fine Cleopatra, but the men don’t match up. As I say over there, whether you think that justifies three hours on the wooden benches might depend on your sexuality and gender.

Politics Theatre

Last chance to see Jerry?

Sad to read that the brilliant Jerry Springer the Opera is thought unlikely to be produced again after its current regional run finishes, simply because a few religious nutters have got out their banners and keyboards.

Polly Tonybee writes:

For 552 performances in London it was a smash hit with no controversy. It even had good reviews in the Church Times and the Catholic Herald. It wasn’t until the BBC broadcast it that the evangelical extremists of Christian Voice saw their chance. Rude, lewd and raucous the show certainly is – but not enough to stop Cherie Blair taking her children to see it. Blasphemous it barely is. It is just not true that Christ is presented as a coprophiliac – but then the protesters never bothered to see the show. Even if it were blasphemy, outrage has to be tolerated. But Christian Voice got more than 60,000 people to protest to the BBC and put the home addresses of BBC executives on the internet, attracting death threats requiring police protection.
The tour was planned for 39 cities, but the furore panicked many venues, especially those run by local councils.

If you haven’t seen it yet DO! You’ve got the choice of Croydon or Brighton, for one week only.

The producers deserve your money and support, for showing the sort of courage that needs to be more widespread if we are to stop a handful of fanatics damaging our society.

Books History

Summer reading suggestions

Since the beach season is approaching, from my inbox, a site listing Medieval Mysteries by Historians.

If you’re stuck in the office on a quiet afternoon, you could play with National Archive’s new currency converter – converting through time and commodity. So, it says, with 1 pound, 2 shillings and 4 old pennies, in 1400 you could buy a cow.

Theatre

Calling all old journos …

If you’ve ever worked on a newspaper, particularly a local newspaper, you’ll want to see Before Bristol, which opened at the Old Red Lion in Islington on Thursday night. (Yes, in competition with the football…)

I had to watch myself while writing the review over on My London Your London, since I kept identifying various of the characters with people with whom I’ve worked.

But even if you aren’t an old hack (meant in the nicest possible way) it is still a solidly entertaining evening – nicely crafted writing and very solid acting.

Arts

What is art?

The critics were perhaps asking this question some 27,000 years ago in a cave in France, when an artistic individual produced what the experts are convinced is the oldest known image of a human face:

The eye is a bold horizontal slash that connects to a downward diagonal apparently signifying a nose; below is a thinner line suggesting a mouth. These features are drawn in black on a face-shaped rocky mass in a cave near Angoulême in western France; discovered in February, the image has only now been made public after scientific testing by French archaeologists that has apparently convinced them of its authenticity and age – they claim the drawings in it were done 27,000 years ago, which makes the Vilhonneur grotto one of the oldest sites of rock art in the world.

As I’ve written before, after reading the brilliant The Mind in the Cave, while our cultures may be very, very different, what we do share with these cave-visitors is our brains – in fact they are biologically exactly the same, so at an unconscious, and probably sub-conscious, level (where most reaction to the best art occurs) we might be surprisingly alike.

So the critics from back then might appreciate the latest art-world spat in London, over a plinth being mistaken for an artwork. (The head intended to be attached to it became accidentally detached during packing.)

Mark Lawson concludes:

The head part of the artwork is fairly familiar, heavily reminiscent of the laughing heads in the work of the great Spanish artist Juan Muñoz. But the vast slate slab supporting its fragment of skeleton has a peculiarity and spookiness that makes it unusual; dismissable as art only by those who believe that good art necessarily requires heavy effort.

The style of the ancient image suggests those paleolithic critics might agree.

Theatre

The Globe at its best

I just put up over on My London Your London a review of the new production of Titus Andronicus at Shakespeare’s Globe. Not one for those with soft stomaches or dicky hearts, but a superb concept by director Lucy Bailey.

If you’re going as a groundling, don’t take too much luggage with you. (And given all the substances being sprayed around, a white summer dress wouldn’t be the go.)

This is Shakespeare as horror movie. You have been warned.