Category Archives: History

Theatre Women's history

Making theatre matter

I’m currently reading Andrew Marr’s A History of Modern Britain, a lively account covering political and cultural events from 1945 onwards, and it introduced me to Joan Littlewood, responsible for the Theatre Workshop, which was, Marr says, “by far the most dogged and courageous attempt to make theatre matter”. She was “a Cockney-born outside who fled RADA for a career in provincial poverty… touring through Kendal, Widan, Blackpool and Newcastle, they would be the very first act to exploit the Edinburgh Internal Festival as a “fringe” performance … their first major play … was Uranium 235 an impassioned and funny account of the road to the nuclear bomb, with a strongly anti-nuclear message at a time when … the pro-Bomb Labour government was widely supported.” (p. 94)

Yet, as Marr said, the “Angry Young Men” are much better remembers. Female, left, forgotten…. ever thus.

History Women's history

Now that’s a 12-century carving…

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Not perhaps very practical – two humans each holding a bear by the tail and urging them on to fight, but certainly you can hardly miss the symbolism.

From St. Andoche, Saulieu, Burgundy. (Lots more carvings on that link.)

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Also boasts this rather severe St Bridgette de Suede with a book (and what I thought was a “don’t you dare ask me to wash the dishes” expression….)

And an early 16th-century Madonna said to have been donated by Madame de Sévigné

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History

History roundup

* I’ve written before of my favourite cave art theory, but there are certainly no shortage of them, as this article outlines – and with new discoveries coming all of the time, there’s only one certainty, there’ll be more.

One thought that struck me: “Paleolithic artists transmitting their techniques from generation to generation for twenty-five millennia with almost no innovation or revolt…For the conventions of cave painting to have endured four times as long as recorded history, the culture it served, he concludes, must have been “deeply satisfying”—and stable to a degree it is hard for modern humans to imagine.”

* The idea of the Christian resurrection wasn’t original – well so few ideas are really. But I foresee “just like the Da Vinci code” related novels in about eight months….

* The Lupa Capitolina is about 1,000 years too young – proving that romanticism thrived in the 13th century.

Women's history

A women’s history snack

You’d hardly believe it, but there are still people defending the dead -rich-white-men-are-all-that-matters theory of history, so in response, Sharon has posted her explanation of why we need women’s/gender history.

Which gives me an excuse to point to a fascinating post on a Christian heresy that Early Modern Whale explores – that since the figure of Christ was male, women weren’t saved – they needed a female saviour. (Or possibly a female goddess??)

History London

Wandering the Renaissance and more at the V&A

Today I threw up all of the things I should have been doing for a chance to enjoy London – choosing the V&A for the Blood on Paper: The Art of the Book exhibition, which I’ve reviewed over on My London Your London.

But it is hard always to stick at one thing, and with the medieval and Renaissance galleries now closed for refurbishment (reopening scheduled for November 2009), I kept falling across them everywhere. Up on the fourth floor is a small display on Makers and markets, looking at the development of one period into the other. There are spectacular Giambologna bronzes and Limoges enamels, but as so often I find the more humble pieces much more interesting, including the German stoneware from the Rhineland, which was exported all over northwest Europe.

There’s this pitcher c 1573 by Jan Emens Mennicken (who is also represented at the British Museum, including this spectacular wine vessel for a wealthy household

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Women's history

No, not that Chaucer, but Alice

Badly in need of a little rest and recreation, I’ve spent most of today pottering around with the potplants (the potatoes have finally taken off), cleaning the kitchen (badly overdue – and I’d recommend never, never getting the sort of benchtop that you have to oil), doing the ironing, and watching a bit of what I gather is BBC4’s medieval season on iPlayer. Through that I was introduced to Alice Chaucer, who’s certainly quite a character in her own right. That was her maiden name, but since she went through three husbands its rather hard to keep up with all of her titles.

She was the granddaughter of that other Chaucer, a rich woman in her own right by her maturity and a major political player at court. In short from the ODNB:

Alice Chaucer grew to be an extremely wealthy widow through her parents (from whom she inherited in 1437), her three valuable marriages, and her own policy of buying up land during her last long widowhood. By these means she accumulated estates in twenty-two counties, from three of which in 1454 she received an income of £1300. She was wealthy enough to be a crown creditor in 1450 and in the 1460s. That her lifestyle was fairly lavish and that she was something of a literary patron, notably of an old Chaucer friend, John Lydgate, are substantiated by the inventory of her goods and books made in 1466 when she left East Anglia and came home to Ewelme.

And the presenter was wandering around what I gather was this still surviving almshouse, (picture):

On 3 July 1437 the couple were licensed to found an almshouse at Ewelme, called God’s House, for two chaplains and thirteen poor men and by 1448, when the statutes were drawn up, they had added a grammar school.

A quick search suggests there isn’t a biography – definitely a subject that deserves an author, I’d suggest…