Category Archives: Women’s history

Feminism History Women's history

Why do we need feminist archaeology?

Because it is not what you find, but the questions you ask about the determine the conclusions you’ll reach.

I’ve been reading, in my odd spare minute, the fascinating Findings: The Material Culture of Needlework and Sewing, by Mary C Beaudhry. She’s interested in the physical evidence of the craft that is found on archaeological sites, and has some fascinating conclusions, and an awful lot of confusion from (frequently) male archaeologists who lacked basic knowledge of the craft that might have set them straight.

So there’s a whole chapter on “the lowly pin”, going back to what have been identified as “dress pins” from a royal tomb in Bronze Age Turkey (Alaca Hoyuk). But, Beaudhry says: “These have flat ends and hence are far more likely to have been spindles than pins.” (p. 11)

The most common for millennia were probably wooden pins, although they are only rare survivals in boggy ground – among the oldest from a Neolithic site at the Sweet Track on the Somerset Down, but by the 15th and 16th century, in London at least, metal pins become common.

In April 1440, two galleys outfitted on behalf of seven Venetians merchants docked at Southampton on their return voyage from Flanders carring 83,000 pins as part of their cargo.”

These were mostly straight, made from fine wire and with small heads – an artefact of fashion since they were used to fasten women’s veils; “the trousseau of Edward II’s daughter, Prince Joan, whose wedding took place in 1348, included 12,000 pins for fastening her veils” (p. 13)

And they continued to be the fastener of the poor – cheaper than buttons – into the 17th century. And they were used to fasten the clothing of infants! From the 18th century: “As to the head, it is covered with two or three biggins [bonnets], the first of which is of linen, and the others woollen, and these are tied beneath the neck. In many places they add a stayband or a kind of headdress with two ends which hang down the side of the head and are fastened on the breast with pins in order to meet the infant hold its head straight.” (p.14)

Yet it seems many archaeologists tend to interpret the presence of pins as evidence of sewing, and women. Which must have meant some confusion when 1,575 pins were recovered from the 16th-century Free Grammar School in Coventry (all male pupils – the pins would have been used to hold their ruffs in place. (p. 22)

Arts Feminism History Women's history

Giving the women a place at the museum

It might have a slightly dismissive title “decorative arts”, it might be focused on the domestic and small scale, but at least a new museum in Paris introduces a great range of female characters, and gives them what should be a permanent place on the tourist trail. I’ve provided what is probably an overly detailed account on My Paris Your Paris.

And my favourite single woman, well a Parisien courtesan, of course, Valtesse de La Bigne. This was her bed, tailor-made, of course:

bed

Well, you do want to make your workplace just so…

Feminism Women's history

Sarah and the 12-month pregnancy in medieval Germany

Last week I finally managed to get back to the Institute for Historical Research, for a seminar on the status of medieval Jewish women, by Dr Simha Goldin from Tel Aviv. It focused on the case of Sarah, a wife in 13th-century Germany who gave birth 12 months after her husband, Isaac, had gone away for work. (Apparently quite common at the time – there were religious rulings saying that the man should not be away more than a year and half, and should prove he had no dispute with his wife before he left. He should also leave enough money for the family’s subsistence, including the education of boys and girls. When returned had to stay for at least six months.)

Dr Goldin said that from the 11th to 14th centuries there were huge changes in the status of women in the Jewish community. Prior to that polygamy had been widely accepted, but by the end of the 11th century in Germany, Northern France and England absolute monogamy was established and wives could not be divorced against their will. Brides got a marriage settlement and agreements about how she would be treated. About only way this status and rights could be lost was by proof of adultery. Much is known about these communities due to responsa – letters seeking advice on matters of Jewish law and everyday life which were circulated to and among spiritual leaders

But back to Sarah; Isaac tried to divorce her and to overrule her marriage contract. The local rabbinical court refused to meet, however, probably because of the gravity of problem – the child would be bastard, she would be divorced without compensation (probably meaning the community would have to support her.

The case was refered to the Maharam of Rotterdam, a highly respected scholar. His response is remarkable its liberality combined with legal nitpicking. He quotes a Talmudic principle that birth can be delayed up to three months, also says that key witnesses all from one family only count as one and says that to prove adultery the husband must have warned her about her conduct, and had two witnesses to catch her in flagrante. Finally rules only if she could give a good reason for denying pregnancy (when she should have been pregnant with a 12-month pregnancy) should she be exonerated. But still full conditions for finding adultery not met, so says husband can divorce her against will but must give her a settlement so she won’t be left destitute.

Then we got to what I found the really interesting question: Why the improvement in the status of Jewish women at this time? Dr Goldin attributed this to tension from outside on community that brought new solidarity and improvements in attitude towards women and children. The more positive approach started after the First Crusade. (After the 14th century conditions for women start to get worse again. )

So I asked why it was that this community had liberalized its approach to women when so many other communities (and there are of course many modern examples) have increasingly policed and repressed their women in similar circumstances. One suggestion was that they were trying to prevent the women converting to Christianity. Indeed Sarah (and the father of her baby was allegedly a gentile), when her father had tried to control her, he reported that she had threatened to convert. She had run away from home several times but had been persuaded to return by her mother.

Lest, however, you should think this some sort of freedom, it should be noted the Responsa says that her father had asked the court earlier for “permission to drown her”!!! because of her uncontrollability. Although at least they said no.

History Women's history

Break out the carnival hats

The new Carnivalesque, a feast of early modern history, is now up on The Long Eighteenth.

Do check it out, but just in case you don’t I can’t resist pointing specifically to one of its items, that on Mary Mark Ockerbloom’s Live Journal. It is about Phillis Wheatley, the first African American, the first slave, and the third woman in the United States to publish a book of poems.

Women's history

The power behind the stage

Thanks to an excellent new project at the Oxford Dictionary of National Biography, they are making more of their articles available through a monthly online magazine. This month the focus is on Hogarth and his sitters and circle (linking with the just-opening Tate exhibition that I hope to get to see soonish).

Somehow you don’t think of Hogarth as a painter of women – big bluff men who’ve imbibed just a little too much Madeira seem to fit more, but there are a couple of women featured, one of them being Eva Maria Garrick, who was, it seems, another of those power behind the throne women, after having a successful independent career of her own as a dancer.

The marriage settlement, when it was reached, was a virtual guarantee of prosperity … Not only did she receive £10,000 from Garrick, together with £70 per year, but also the annual interest on Lady Burlington’s estates in Lincolnshire. There followed thirty years of contented marriage and forty-three of dignified widowhood. Eva Maria was Garrick’s constant companion at home and abroad, his supporter and adviser in theatrical affairs, a gracious hostess on social occasions, and a welcome guest in the grand houses the couple visited. Garrick’s social aggrandizement is inconceivable without her. Her taste and intelligence are discernible in the books and paintings they bought, in the way they furnished their houses, and between the lines of Garrick’s voluminous correspondence.

(They don’t say if these are going to stay on open access permanently, so it might be a good idea to nab them now if you don’t have access – although of course if you are in England and Wales you can get that through your local library.)

Women's history

Sitting proud: Elizabeth of Sevorc

Over on My London Your London I have a piece on an exhibition of medieval seals at the British Museum. Now can I find a feminist angle on that? Well of course I can. There are some lovely women’s seals, but my definitely favourite is that of Elizabeth of Sevorc, asserting her importance and independence (she’s no one’s father or husband in the inscription, just herself).

elizabethofsevorc

Look at that image and you think this is a woman who could look after herself. (I haven’t been able to find her anywhere else; has anyone come across her?)