{"id":472,"date":"2005-08-03T23:07:00","date_gmt":"2005-08-03T23:07:00","guid":{"rendered":"http:\/\/philobiblon.co.uk\/?p=472"},"modified":"2005-08-03T23:07:00","modified_gmt":"2005-08-03T23:07:00","slug":"the-medieval-eve","status":"publish","type":"post","link":"https:\/\/philobiblon.co.uk\/?p=472","title":{"rendered":"The medieval Eve"},"content":{"rendered":"<p>It&#8217;s funny how once you get into a topic, new angles on it keep popping up everywhere. A few days ago I was exploring the <a href=\"http:\/\/philobiblion.blogspot.com\/2005\/07\/mary-cancels-out-eve.html\">early modern idea of Eve<\/a>, then a journal I was reading for something entirely different fell open at an article about Eve in medieval English and French religious drama.<\/p>\n<p>And what a different picture it paints. It focused particularly on the <em>Jeu d&#8217;Adam<\/em>, also called <em>Mystere d&#8217;Adam<\/em>, a 12th-century play, which it says was probably produced in England (although most of the web decriptions I found call it French). The article describes it (I suspect controversially) as &#8220;the oldest extant religious drama in any vernacular tongue&#8221;.<\/p>\n<p>In the play, I read, Eve &#8220;represents on the one hand the role of woman (in Aristotelian terms) as the formal cause of the Fall; and, on the other hand, because of God&#8217;s promise that her seed shall crush the serpent&#8217;s head, she prefigures the Virgin Mary as Adam prefigures Christ&#8221;. She is also seen as a prophet of redemption, promising salvation.<\/p>\n<p>Yet in the English mystery plays she soon loses the latter role to Adam alone and becomes &#8220;a comic butt for Adam&#8217;s misogynistic humour&#8221;. In France she was treated more sympathetically, but also lost that powerful prophetic role; she &#8220;evolved as the mother of the race, but died without believing in her own salvation&#8221;.<\/p>\n<p>From &#8216;The Evoltion of Eve in Medieval French and English Religious Drama, Maureen Fries,<em> Studies in Philology<\/em>, Winter 2002, No 1, Vol 99.<\/p>\n<p>An interesting article, but I do have one complaint &#8211; the Jeu d&#8217;Adam extracts are only printed in the original Anglo-Norman. I can&#8217;t imagine there are too many people around who can read that, so while this is a topic that might be interesting to people in lots of fields, its full use is being restricted to specialists. Translations please!<\/p>\n<p>There&#8217;s a modern French extract <a href=\"http:\/\/www.unibuc.ro\/eBooks\/lls\/MihaelaVoicu-LaLiterature\/Le%20Jeu%20dAdam.htm\">here<\/a> (I couldn&#8217;t find anything in English) and a review of a book about women in French drama of the period <a href=\"http:\/\/www.infomotions.com\/serials\/bmmr\/bmmr-9411-jones-bodytalk.txt\">here<\/a>.<\/p>\n<p>Now, I&#8217;d better go off and set myself 200 lines:<br \/>\nI must stick to the research topic at hand &#8230;.<br \/>\nI must stick to the research topic at hand &#8230;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s funny how once you get into a topic, new angles on it keep popping up everywhere. A few days ago I was exploring the early modern idea of Eve, then a journal I was reading for something entirely different fell open at an article about Eve in medieval English and French religious drama. And [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-472","post","type-post","status-publish","format-standard","hentry","category-miscellaneous","author-natalie-bennett"],"_links":{"self":[{"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=472"}],"version-history":[{"count":0,"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/472\/revisions"}],"wp:attachment":[{"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/philobiblon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}